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home·artworks·Todd Shipyard
Todd Shipyard by Alexander Calder

plate no. 0314

Todd Shipyard

Alexander Calder, 1925

oilAmerican Realismgenre paintingshipfiguresscaffoldingskyindustrialdock
some experience helpful

Recreating this painting will help students develop skills in blocking in large shapes, mixing muted colors, and creating a sense of depth through layering and atmospheric perspective. It also provides practice in capturing the essence of figures with minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the ship, scaffolding, and figures, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color: the sky, the dark and red sections of the ship, and the general tones of the scaffolding and ground.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth and form.

  4. step 04

    Begin adding details to the ship and scaffolding, using visible brushstrokes to suggest texture and form.

  5. step 05

    Refine the figures, focusing on capturing their poses and gestures with simple shapes and values.

  6. step 06

    Add highlights and shadows to enhance the three-dimensionality of the scene.

  7. step 07

    Soften edges and blend colors where necessary to create a sense of atmosphere.

  8. step 08

    Add final details and adjust values to complete the painting.

color palette

primary · ivory black · burnt sienna · titanium white

secondary · raw umber · cadmium red light · yellow ochre

Mix various shades of gray for the sky and ship by combining black and white with small amounts of umber or sienna. Achieve the red of the ship by mixing cadmium red with burnt sienna and a touch of black to darken it.

techniques

  • ·blocking in
  • ·dry brush
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the looseness and spontaneity of the original painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a quick-drying medium to speed up the drying time.

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