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home·artworks·Ship in the Bay
Ship in the Bay by Robert Henri

plate no. 9563

Ship in the Bay

Robert Henri, 1903

oilAmerican Realismlandscapewaterskyboattreeslandscapeclouds
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and color mixing to create atmospheric perspective. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the land, water, and sky.

  2. step 02

    Block in the sky with broad strokes, focusing on the cloud formations and the subtle color variations.

  3. step 03

    Establish the dark mass of the distant trees and land, paying attention to the shapes and edges.

  4. step 04

    Paint the water with horizontal strokes, capturing the reflections and the subtle shifts in color.

  5. step 05

    Add the foreground, using a mix of greens and yellows to create the grassy areas.

  6. step 06

    Paint the boat, simplifying its form and focusing on its silhouette against the water.

  7. step 07

    Add details to the trees and foreground, using smaller brushstrokes to create texture.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · viridian green · cadmium yellow light

Mix blues and whites for the sky. Use yellow ochre and burnt umber for the land. Mix blue, yellow, and white for the water. Add small amounts of red or green to dull colors as needed.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·wet-on-wet blending

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating too much detail and cluttering the composition.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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