
plate no. 7497
Mark Rothko, 1937
This painting provides an opportunity to practice portraiture with a limited palette and expressive brushstrokes. Students can learn to suggest form and emotion through color and texture rather than precise detail.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the figures and the window frame.
Block in the background with a thin wash of warm browns and oranges.
Establish the main color areas for the figures: red for the figure on the left, and darker greens/browns for the figure on the right.
Begin building up layers of paint, focusing on the light and shadow patterns on the faces and clothing.
Use visible brushstrokes to create texture and suggest form.
Mix subtle variations of the main colors to add depth and interest.
Refine the details of the faces and hands, but avoid overworking them.
Add final touches and highlights to enhance the overall effect.
color palette
primary · burnt sienna · cadmium red · raw umber
secondary · viridian · ultramarine blue · titanium white
Mix burnt sienna and raw umber for the warm background tones. Use cadmium red with a touch of burnt sienna for the red garment. Mix viridian and ultramarine blue with raw umber for the darker figure's clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
A slightly textured canvas will enhance the effect of the brushstrokes. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor