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Untitled by Mark Rothko

plate no. 7497

Untitled

Mark Rothko, 1937

oilExpressionismportraitfiguresportraitwindowinteriorclothing
some experience helpful

This painting provides an opportunity to practice portraiture with a limited palette and expressive brushstrokes. Students can learn to suggest form and emotion through color and texture rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figures and the window frame.

  2. step 02

    Block in the background with a thin wash of warm browns and oranges.

  3. step 03

    Establish the main color areas for the figures: red for the figure on the left, and darker greens/browns for the figure on the right.

  4. step 04

    Begin building up layers of paint, focusing on the light and shadow patterns on the faces and clothing.

  5. step 05

    Use visible brushstrokes to create texture and suggest form.

  6. step 06

    Mix subtle variations of the main colors to add depth and interest.

  7. step 07

    Refine the details of the faces and hands, but avoid overworking them.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · burnt sienna · cadmium red · raw umber

secondary · viridian · ultramarine blue · titanium white

Mix burnt sienna and raw umber for the warm background tones. Use cadmium red with a touch of burnt sienna for the red garment. Mix viridian and ultramarine blue with raw umber for the darker figure's clothing.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·limited palette mixing

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Using too many colors and creating a muddy effect.
  • →Failing to establish a clear value structure.
  • →Ignoring the importance of brushstroke direction.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·raw umber oil paint
  • ·viridian oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

A slightly textured canvas will enhance the effect of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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