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Untitled by Lan Ying

plate no. 8874

Untitled

Lan Ying

oilInk and wash paintinglandscapemountainstreesbuildingslandscapefoliagearchitecture
experienced study

Recreating this painting will help students develop skills in layering washes to create depth and texture, and in rendering complex natural forms like trees and rocks with expressive brushstrokes. It also encourages understanding of atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare the surface with a light wash of yellow ochre to mimic the aged paper.

  2. step 02

    Lightly sketch the main compositional elements: mountains, trees, and buildings.

  3. step 03

    Begin with a diluted ink wash to establish the basic shapes and values of the mountains.

  4. step 04

    Add layers of darker washes to define the contours and textures of the rocks, using dry brush techniques for added texture.

  5. step 05

    Paint the trees, starting with the trunks and branches, then adding the foliage with small, controlled brushstrokes.

  6. step 06

    Render the buildings with fine lines and subtle shading, paying attention to perspective.

  7. step 07

    Add details such as small plants, rocks, and figures to enhance the scene.

  8. step 08

    Apply final touches and adjust values as needed to create a sense of depth and atmosphere.

color palette

primary · black ink · yellow ochre · burnt umber

secondary · Prussian blue · Chinese white

Mix diluted black ink with water to create various shades of gray for the mountains and rocks. Add small amounts of Prussian blue to the black for cooler tones in the foliage.

techniques

  • ·ink wash
  • ·dry brush
  • ·atmospheric perspective
  • ·line drawing
  • ·layering

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Creating too much contrast too early in the process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using too much water and causing the ink to bleed.

materials

surface · Rice paper or watercolor paper

required

  • ·Chinese ink stick or black watercolor
  • ·Chinese painting brushes (various sizes)
  • ·Yellow ochre watercolor
  • ·Burnt umber watercolor
  • ·Water container
  • ·Mixing palette
  • ·Rice paper or watercolor paper

optional

  • ·Prussian blue watercolor
  • ·Chinese white watercolor
  • ·Palette knife
  • ·Easel

Use high-quality rice paper or watercolor paper that can withstand multiple washes. Experiment with different brush sizes and types to achieve various effects.

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