
plate no. 7326
Recreating this painting will help students develop skills in layering paint, creating atmospheric perspective, and capturing the mood of a cityscape. It also encourages experimentation with expressive brushstrokes.
technical profile
approach — 8 steps
Sketch the basic shapes of the buildings and the tower, paying attention to perspective.
Apply a thin wash of burnt umber or raw sienna to tone the canvas.
Block in the dark areas of the sky and the shadows on the buildings with a mix of dark green, blue, and brown.
Add the mid-tones and highlights to the buildings, using lighter shades of ochre, white, and red.
Create the background atmosphere using loose, blended brushstrokes of greens, blues, and grays.
Refine the details of the tower and the buildings, adding windows, arches, and other architectural elements.
Add final touches of light and shadow to create depth and dimension.
Consider adding a glaze to unify the colors and enhance the mood.
color palette
primary · burnt umber · raw sienna · titanium white · ivory black
secondary · cadmium red · viridian green · ultramarine blue
Achieve the muted tones by mixing complementary colors. Use white sparingly to maintain the painting's overall dark and moody atmosphere. Experiment with glazing to create depth.
techniques
common pitfalls
surface · stretched canvas
required
optional
A medium-textured canvas will work well for this painting. Consider using a toned canvas to speed up the painting process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor