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Untitled by Horia Bernea

plate no. 7326

Untitled

Horia Bernea

oilExpressionismcityscapecityscapearchitecturebuildingskyroofstower
experienced study

Recreating this painting will help students develop skills in layering paint, creating atmospheric perspective, and capturing the mood of a cityscape. It also encourages experimentation with expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the tower, paying attention to perspective.

  2. step 02

    Apply a thin wash of burnt umber or raw sienna to tone the canvas.

  3. step 03

    Block in the dark areas of the sky and the shadows on the buildings with a mix of dark green, blue, and brown.

  4. step 04

    Add the mid-tones and highlights to the buildings, using lighter shades of ochre, white, and red.

  5. step 05

    Create the background atmosphere using loose, blended brushstrokes of greens, blues, and grays.

  6. step 06

    Refine the details of the tower and the buildings, adding windows, arches, and other architectural elements.

  7. step 07

    Add final touches of light and shadow to create depth and dimension.

  8. step 08

    Consider adding a glaze to unify the colors and enhance the mood.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · viridian green · ultramarine blue

Achieve the muted tones by mixing complementary colors. Use white sparingly to maintain the painting's overall dark and moody atmosphere. Experiment with glazing to create depth.

techniques

  • ·dry brush
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using too much white and making the painting look chalky.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish

A medium-textured canvas will work well for this painting. Consider using a toned canvas to speed up the painting process.

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