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home·artworks·Tyttö Riekkalasta
Tyttö Riekkalasta by Sallinen Tyko

plate no. 7179

Tyttö Riekkalasta

Sallinen Tyko, 1914

oilExpressionismportraitportraitfigurewomanclothingfaceexpressionism
some experience helpful

Recreating this painting will help students develop skills in color mixing for skin tones and capturing form with expressive brushstrokes. It also provides practice in simplifying complex subjects into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure on the canvas.

  2. step 02

    Block in the large areas of color, starting with the background and moving to the figure.

  3. step 03

    Mix and apply skin tones, focusing on the subtle variations in color and value.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, using small, deliberate brushstrokes.

  5. step 05

    Define the clothing and other elements of the composition, paying attention to the direction of the brushstrokes.

  6. step 06

    Refine the overall composition, adjusting colors and values as needed.

  7. step 07

    Add final details and highlights to create depth and dimension.

  8. step 08

    Allow the painting to dry completely and apply a protective varnish.

color palette

primary · titanium white · ultramarine blue · alizarin crimson · yellow ochre

secondary · burnt umber · cadmium red light · viridian

Mix pinks by combining white with alizarin crimson and a touch of ultramarine blue. Create skin tones by blending white, yellow ochre, alizarin crimson, and a small amount of ultramarine blue or burnt umber.

techniques

  • ·broken color
  • ·impasto
  • ·color mixing
  • ·expressive brushwork
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Focusing too much on detail and losing the overall impression.
  • →Not paying attention to the direction of the brushstrokes.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife
  • ·odorless mineral spirits

Use a medium-grit canvas to allow for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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