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home·artworks·Tyrolean Landscape. Study for Der Sämann
Tyrolean Landscape. Study for Der Sämann by Albin Egger-Lienz

plate no. 6524

Tyrolean Landscape. Study for Der Sämann

Albin Egger-Lienz, 1903

canvas, oilExpressionismlandscapelandscapefieldtreeshillssky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using visible brushstrokes to add texture and visual interest. It also provides practice in simplifying a landscape into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the landscape: the horizon line, the hills, the field divisions, and the trees.

  2. step 02

    Establish the dark areas of the foreground field with a thin wash of dark brown.

  3. step 03

    Block in the lighter areas of the field with a mix of ochre and brown, leaving some areas darker to represent shadows.

  4. step 04

    Paint the distant hills with muted blues and browns, suggesting atmospheric perspective.

  5. step 05

    Add the trees with dark green, using short, broken brushstrokes to create texture.

  6. step 06

    Paint the sky with light blues and grays, blending softly.

  7. step 07

    Add highlights to the field and trees with lighter shades of ochre, brown, and green.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · burnt umber · yellow ochre · Prussian blue · titanium white

secondary · sap green · raw sienna

Mix browns and ochres for the fields, adding white for highlights and umber for shadows. Use Prussian blue and white for the sky, and mix greens from blue and yellow for the trees.

techniques

  • ·layering
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overblending, which can flatten the image.
  • →Using too much detail in the foreground, which can distract from the overall composition.
  • →Neglecting the subtle value shifts that create depth.
  • →Not allowing layers to dry slightly before adding new layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, yellow ochre, Prussian blue, titanium white, sap green, raw sienna)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (flat and round)
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·apron

Use a medium-textured canvas to allow the paint to grip well. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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