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home·artworks·Two woman and self-portrait bust
Two woman and self-portrait bust by Rafael Zabaleta

plate no. 5782

Two woman and self-portrait bust

Rafael Zabaleta, 1939

oil, canvasExpressionismportraitfiguresportraitsclothinghairbackground
some experience helpful

This painting offers a chance to practice portraiture with a limited palette and visible brushstrokes, focusing on capturing likeness and mood. Students can learn to simplify forms and use color to create depth and dimension.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin building up the skin tones, mixing colors carefully to match the original.

  4. step 04

    Define the features of the faces, paying attention to the subtle variations in value and color.

  5. step 05

    Paint the clothing, using bold brushstrokes to create texture and form.

  6. step 06

    Develop the background with loose, expressive brushwork.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red light

Mix skin tones by blending raw umber, burnt sienna, and titanium white. Use ultramarine blue and burnt sienna to create grays for the clothing and background. Add small amounts of cadmium red light to warm up the skin tones and create highlights.

techniques

  • ·portraiture
  • ·color mixing
  • ·visible brushstrokes
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Incorrect proportions of the figures.
  • →Muddying the colors by over-mixing.
  • →Failing to capture the likeness of the subjects.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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