
plate no. 8970
Recreating this painting will help students develop skills in simplified portraiture, color mixing for skin tones, and creating depth through subtle value changes. Students will also practice capturing the essence of a subject with minimal detail.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figures and their clothing.
Block in the background with a muted teal color.
Establish the main skin tone using a base color and then add shadows and highlights.
Paint the hair using dark browns and blacks, paying attention to the simple shapes.
Block in the colors of the clothing, using a limited palette of white and green.
Add details to the faces, focusing on the eyes, lips, and nose.
Define the edges of the figures and clothing with dark outlines.
Add final highlights and shadows to create depth and dimension.
color palette
primary · raw umber · titanium white · viridian
secondary · burnt sienna · ivory black
Mix skin tones by combining raw umber, burnt sienna, and titanium white. Achieve the background color by mixing viridian with raw umber and a touch of white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to enhance the brushstrokes. Acrylics are recommended for beginners due to their faster drying time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor