
plate no. 5324
Nicolae Tonitza, 1927
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing light and shadow with visible brushstrokes. It's a good exercise in simplifying forms and focusing on overall impression rather than precise detail.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figures and background.
Block in the main color areas for the skin, clothing, and background.
Start building up the skin tones with layers of color, paying attention to highlights and shadows.
Define the features of the faces, keeping the brushstrokes loose and expressive.
Add details to the clothing and hair, using a variety of brushstrokes to create texture.
Refine the background and add any final details.
Check the overall balance of the painting and make any necessary adjustments.
Let dry and varnish
color palette
primary · yellow ochre · burnt sienna · titanium white · cadmium red
secondary · viridian green · ultramarine blue · ivory black
Mix skin tones using yellow ochre, burnt sienna, cadmium red, and white. Use small amounts of blue or green to cool down the skin tones in shadow areas. Mix greens by combining viridian green and yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor