
plate no. 4056
Paula Modersohn-Becker, 1905
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also provides practice in simplifying forms and capturing the essence of a subject.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figures and the trees using light pencil lines.
Block in the main areas of color for the background, figures, and clothing using thin washes.
Start building up the skin tones by layering different shades of pink, brown, and yellow.
Define the features of the faces, paying attention to the shapes of the eyes, nose, and mouth.
Add details to the clothing and hair, using thicker paint and visible brushstrokes.
Paint the trees in the background with vertical strokes of varying colors.
Refine the overall composition, adjusting colors and values as needed.
Add final touches and highlights to complete the painting.
color palette
primary · titanium white · burnt umber · ultramarine blue · cadmium red
secondary · yellow ochre · viridian green
Mix skin tones by combining white, red, and a touch of yellow ochre and burnt umber. Use ultramarine blue and burnt umber to create the darker tones for the trees and clothing. Add white to these mixtures to create lighter shades.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a limited palette of colors to simplify the mixing process.
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