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home·artworks·Two boys on Moorkanal
Two boys on Moorkanal by Paula Modersohn-Becker

plate no. 6315

Two boys on Moorkanal

Paula Modersohn-Becker, 1900

cardboardExpressionismgenre paintingfigureschildrenlandscapefieldbuildingsky
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and simplifying forms to convey a sense of place and mood. It also provides practice in mixing muted colors and creating subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color, starting with the sky and the background fields.

  3. step 03

    Establish the basic values for the figures, paying attention to the light and shadow.

  4. step 04

    Refine the shapes and details of the figures, adding subtle variations in color and tone.

  5. step 05

    Add details to the background, such as the building and the trees.

  6. step 06

    Blend and soften edges to create a sense of atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the form and depth.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cadmium red · sap green · payne's gray

Achieve the muted tones by mixing complementary colors and adding white or raw umber. Use yellow ochre and white for the sky, and mix greens with raw umber and yellow ochre for the fields.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·limited palette
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the simplicity of the original.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·cadmium red oil paint
  • ·sap green oil paint
  • ·payne's gray oil paint
  • ·painting medium

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified and harmonious effect.

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