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home·artworks·Trout Fisherman
Trout Fisherman by John Frederick Kensett

plate no. 3488

Trout Fisherman

John Frederick Kensett, 1852

oilLuminismlandscapetreeswaterrocksfigureforeststream
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of values and colors. It also provides practice in rendering realistic textures of trees, rocks, and water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, rocks, and stream.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky with a light yellow and blue mix, blending softly.

  4. step 04

    Begin layering in the dark greens and browns of the trees and rocks, working from dark to light.

  5. step 05

    Add details to the trees, such as branches and leaves, using a variety of brushstrokes.

  6. step 06

    Paint the stream, capturing the reflections and movement of the water with highlights and shadows.

  7. step 07

    Add the figure of the fisherman, paying attention to its scale and placement within the landscape.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · viridian green · burnt umber · yellow ochre

secondary · ultramarine blue · titanium white · cadmium yellow

Achieve the various greens by mixing viridian green with yellow ochre and ultramarine blue. Use burnt umber and white to create the darker tones of the rocks and trees. Add small amounts of cadmium yellow to create the highlights on the trees and water.

techniques

  • ·layering
  • ·glazing
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Not creating enough contrast between light and shadow
  • →Ignoring the atmospheric perspective and depth

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#6 flat brush
  • ·viridian green oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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