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home·artworks·Tregor and Tregoff, Cornwall
Tregor and Tregoff, Cornwall by David Bomberg

plate no. 5043

Tregor and Tregoff, Cornwall

David Bomberg, 1947

oil, canvasExpressionismlandscapelandscapehillsskycloudsfieldsmountains
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using expressive brushstrokes to convey texture and form. It's also a good exercise in simplifying a complex landscape into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the hills and mountains, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with broad strokes, establishing the dark and light areas of the clouds.

  3. step 03

    Apply a base layer of color to each hill, using a mix of browns, oranges, and reds.

  4. step 04

    Add darker values to the shadows and lighter values to the highlights, using short, choppy brushstrokes.

  5. step 05

    Introduce variations in color to create texture and interest, such as greens and yellows in the foreground.

  6. step 06

    Refine the shapes of the hills and mountains, paying attention to the way they recede into the distance.

  7. step 07

    Add details to the foreground, such as small bushes and rocks, using a dry brush technique.

  8. step 08

    Make final adjustments to the colors and values to create a sense of depth and atmosphere.

color palette

primary · burnt sienna · raw umber · ultramarine blue · titanium white

secondary · yellow ochre · cadmium red light · viridian

Mix burnt sienna and ultramarine blue for shadows. Use white to lighten colors and create highlights. Mix yellow ochre with burnt sienna for warm earth tones.

techniques

  • ·dry brush
  • ·layering
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating too much contrast and flattening the image.
  • →Failing to establish a clear sense of depth.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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