plate no. 5411

Trees in the studio

Qi Baishi, 1933

oilInk and wash paintinglandscapetreeshousearchitecturelandscapefoliage

some experience helpful

This painting is a good exercise in controlling ink washes and varying line weights to create depth and texture. Students will learn to simplify complex forms into basic shapes and use negative space effectively.

technical profile

palette complexity

brushwork visibility

value contrast

compositional simplicity

study guide

est. 8 hrs

approach — 8 steps

step 01
Lightly sketch the basic shapes of the house and trees, focusing on composition.
step 02
Prepare diluted black ink washes of varying strengths.
step 03
Start with the lightest wash to establish the background and sky.
step 04
Gradually build up darker tones in the trees and house, using multiple layers of washes.
step 05
Use a fine brush to add details like branches, windows, and roof tiles with varying line weights.
step 06
Add final touches with the darkest ink to create contrast and definition.
step 07
Allow each layer to dry partially before applying the next to prevent bleeding.
step 08
Add the signature/stamp in the traditional manner.

color palette

primary · black ink · white (paper)

secondary · gray (diluted ink)

Vary the amount of water added to the black ink to create different shades of gray. Start with very diluted washes and gradually increase the concentration for darker tones.

techniques