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home·artworks·Tour Eiffel
Tour Eiffel by Filippo De Pisis

plate no. 1283

Tour Eiffel

Filippo De Pisis, 1939

oilExpressionismcityscapeEiffel Towercityscapebuildingstreesskyfigures
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing the essence of a scene rather than precise details. It also encourages simplification of complex structures.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the Eiffel Tower and surrounding buildings, focusing on overall proportions.

  2. step 02

    Block in the sky with a thin wash of light blue and white, allowing it to blend loosely.

  3. step 03

    Using a large brush, apply broad strokes of white, gray, and black to define the buildings and tower, leaving gaps for implied detail.

  4. step 04

    Add darker values to create shadows and depth, especially in the foreground and around the buildings.

  5. step 05

    Use a smaller brush to add details like windows and architectural features with quick, gestural strokes.

  6. step 06

    Introduce touches of yellow and orange to suggest light and warmth in the trees and buildings.

  7. step 07

    Add small figures in the foreground using dark, simple shapes.

  8. step 08

    Refine the composition by adjusting values and adding final touches of color and texture.

color palette

primary · titanium white · ivory black · cerulean blue

secondary · yellow ochre · burnt umber · cadmium orange

Mix various shades of gray by combining white and black. Use small amounts of yellow ochre and burnt umber to warm the grays and create subtle color variations.

techniques

  • ·dry brush
  • ·scumbling
  • ·broken color
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating a flat, lifeless image by not varying the values enough.
  • →Making the composition too symmetrical and static.
  • →Using colors straight from the tube without mixing and softening them.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·assorted brushes (large flat, small round)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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