
plate no. 2283
Otto Dix, 1922
From the record
from the sources
To Beauty is an oil-and-collage-on-canvas painting that Otto Dix executed in 1922. en.wikipedia.org
“To Beauty is an oil-and-collage-on-canvas painting executed in 1922 by German painter Otto Dix.”
The painting is signed and dated at the lower right. en.wikipedia.org
“It is signed and dated at the lower right.”
The painting is held at the Von der Heydt Museum in Wuppertal. en.wikipedia.org
“It is held at the Von der Heydt Museum, in Wuppertal.”
The scene is set in a nightclub with two Ionic columns, and Dix appears himself in the center foreground. en.wikipedia.org
“Dix presents a scene that takes place in a nightclub, with two Ionic columns, where he appears himself at the center foreground”
Dix portrays himself as a businessman in a fashionable suit, looking at the viewer and holding a modern telephone. en.wikipedia.org
“Dix presents himself dressed as a businessman, in a dapper suit of the latest fashion, while looking directly at the viewer, with an expressionless face, while clutching a modern-style telephone.”
The drum of the African-American drummer is decorated with the image of a Native American chief in profile. en.wikipedia.org
“His drum is decorated with the image of a Native American chief, in profile.”
The title is meant to be ironic and may have been inspired by a Max Klinger engraving cycle. en.wikipedia.org
“The title of the painting is meant to be ironic, in contrast with the reality it depicts, and it might have been inspired by a Max Klinger cycle of engravings”
The museum's records trace the painting's acquisition by the Von der Heydt Museum on 28 June 1977, purchased from the dealer Dr. Ewald Rathke in Frankfurt. sammlung.von-der-heydt-museum.de
“28.06.1977–heute: Von der Heydt-Museum, Wuppertal; Ankauf mit Mitteln der Von der Heydt-Stiftung und einem Zuschuss des Landes Nordrhein-Westfalen vom Kunsthandel Dr. Ewald Rathke, Frankfurt a. M. (Stand: 15.08.2023)”
approach — 8 steps
Begin with a light sketch outlining the main figures and architectural elements, paying attention to proportions and perspective.
Establish the background colors, starting with the darkest areas and gradually working towards the lighter tones.
Block in the basic shapes and values of the figures, focusing on capturing their gestures and poses.
Develop the details of the faces, paying close attention to the subtle variations in skin tone and the play of light and shadow.
Add the details of the clothing, accessories, and musical instruments, carefully rendering the textures and patterns.
Refine the overall composition, adjusting the values and colors to create a sense of depth and atmosphere.
Add final highlights and details to bring the painting to life.
Varnish the painting to protect it and enhance the colors.
color palette
primary · raw umber · ivory black · titanium white · yellow ochre
secondary · cadmium red · viridian green · ultramarine blue
Achieve the muted tones by mixing complementary colors and using a limited palette. Use glazes to build up depth and create subtle color variations.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
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