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home·artworks·Titi and Naranghe, Daughters of Chief Eki Bondo
Titi and Naranghe, Daughters of Chief Eki Bondo by Alexandre Jacovleff

plate no. 9543

Titi and Naranghe, Daughters of Chief Eki Bondo

Alexandre Jacovleff, 1926

oilExpressionismgenre paintingfiguresvillagearchitecturelandscapefoliageportrait
some experience helpful

This painting offers a good opportunity to practice portraiture and rendering skin tones in a limited palette. Students can also learn about creating depth through atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the basic layout of the village scene.

  2. step 02

    Establish the background sky and distant trees using thin washes of color.

  3. step 03

    Block in the main shapes of the huts and the ground, focusing on the overall color harmony.

  4. step 04

    Begin layering the skin tones of the figures, starting with the darkest shadows and gradually adding highlights.

  5. step 05

    Add details to the clothing and accessories, paying attention to the textures and patterns.

  6. step 06

    Refine the details of the faces, focusing on capturing the likeness and expression.

  7. step 07

    Add the decorative elements on the left side of the painting.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and balanced composition.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · titanium white · cadmium red light

Mix burnt umber and ivory black for the dark skin tones, adding raw sienna and titanium white for highlights. Use cadmium red light sparingly for accents in the background and decorative elements.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·portraiture
  • ·limited palette

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figures
  • →Muddying the colors by over-mixing
  • →Ignoring the atmospheric perspective in the background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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