apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Three Women at the Table by the Lamp
Three Women at the Table by the Lamp by August Macke

plate no. 8293

Three Women at the Table by the Lamp

August Macke, 1912

oil, canvasExpressionismgenre paintingfigurestablelampstill lifeinteriorbottle
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into basic shapes and practice expressive brushwork to convey form and light. It also provides practice in mixing and applying a limited color palette to create a cohesive and impactful image.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the scene, focusing on the placement of the figures, table, and objects.

  2. step 02

    Block in the main color areas for the background, table, and figures using thin washes of color.

  3. step 03

    Begin to build up the forms by adding layers of color, paying attention to the light and shadow.

  4. step 04

    Define the shapes of the figures and objects with bolder brushstrokes and darker values.

  5. step 05

    Add details to the faces, clothing, and still life objects, using smaller brushes and more precise strokes.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and volume.

  7. step 07

    Add final touches and adjust colors as needed to achieve the desired effect.

  8. step 08

    Allow to dry and varnish.

color palette

primary · yellow ochre · ultramarine blue · cadmium red · titanium white

secondary · viridian green · burnt umber

Mix greens by blending yellow ochre and viridian green. Achieve skin tones by mixing yellow ochre, cadmium red, and a touch of ultramarine blue. Darken colors with burnt umber.

techniques

  • ·blocking in
  • ·layering
  • ·expressive brushstrokes
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Not paying attention to the overall composition and color harmony.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (yellow ochre, ultramarine blue, cadmium red, titanium white, viridian green, burnt umber)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retarder medium
  • ·Varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor