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home·artworks·Three Men
Three Men by Ben Shahn

plate no. 3231

Three Men

Ben Shahn

oilSocial Realismgenre paintingfiguresmenbuildingstrain carspostersstreet
some experience helpful

Recreating this painting will help students develop skills in portraiture, value studies, and creating a sense of depth using atmospheric perspective. It also encourages observation of subtle tonal variations within a limited palette.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and background elements.

  2. step 02

    Block in the main shapes and areas of light and shadow using a diluted wash of neutral gray.

  3. step 03

    Begin to refine the forms of the figures, paying attention to the planes of the face and the folds of the clothing.

  4. step 04

    Develop the background elements, such as the buildings and train cars, using a lighter touch and less detail.

  5. step 05

    Add details to the faces, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Refine the value contrasts throughout the painting, adding darker shadows and brighter highlights.

  7. step 07

    Incorporate visible brushstrokes to add texture and visual interest.

  8. step 08

    Add final details, such as the text on the posters and the numbers on the train cars.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Achieve subtle variations in tone by mixing black and white in different ratios. Add small amounts of raw umber or yellow ochre to warm up the grays.

techniques

  • ·grisaille underpainting
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 1/2 inch, 1 inch)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A medium-textured canvas will enhance the visibility of the brushstrokes. Consider using a toned canvas to speed up the underpainting process.

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