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Handball by Ben Shahn

plate no. 0923

Handball

Ben Shahn, 1939

oilSocial Realismgenre paintingfigureswallbuildingurban scenehandballstreet
some experience helpful

Recreating this painting will help students understand how to depict figures in motion and how to create a sense of depth using subtle value changes and atmospheric perspective. It also provides practice in simplifying complex scenes into essential shapes and tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the wall.

  2. step 02

    Block in the large areas of color, starting with the sky, wall, and ground, using thin washes.

  3. step 03

    Establish the basic values for the figures, paying attention to the light source and shadows.

  4. step 04

    Add details to the figures, such as clothing folds and facial features, using smaller brushes.

  5. step 05

    Refine the background elements, including the buildings and billboards, with simplified shapes and colors.

  6. step 06

    Add the linear elements of the wall, such as the lines and the number '1'.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · raw umber · titanium white · ivory black

secondary · burnt sienna · yellow ochre · cadmium red light

Mix various shades of gray and beige by combining white, black, and raw umber. Use small amounts of burnt sienna and yellow ochre to add warmth to the skin tones and clothing.

techniques

  • ·blocking in
  • ·value studies
  • ·atmospheric perspective
  • ·limited palette
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall simplicity of the painting.
  • →Failing to establish a clear value structure, resulting in a flat and lifeless image.
  • →Using colors that are too saturated, which can detract from the muted and realistic atmosphere.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·medium gloss

Use a limited palette to achieve the muted tones of the original painting. Thin the oil paints with linseed oil for smoother application.

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