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home·artworks·Courtyard with Washing
Courtyard with Washing by John Bratby

plate no. 6383

Courtyard with Washing

John Bratby, 1956

oilSocial Realismcityscapecourtyardbuildingsfigureslaundrybrickstreet
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing light and shadow with a limited color palette. It also encourages simplification of complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of major shapes like the buildings, figures, and laundry lines.

  2. step 02

    Block in the large areas of color, starting with the darkest values in the shadows.

  3. step 03

    Establish the brick texture of the buildings using short, broken brushstrokes.

  4. step 04

    Add the figures, simplifying their forms and focusing on capturing their gestures.

  5. step 05

    Paint the laundry, using a variety of white and off-white tones to suggest form and texture.

  6. step 06

    Refine the details, such as the windows, doors, and bicycle.

  7. step 07

    Add highlights to create a sense of light and atmosphere.

  8. step 08

    Review and adjust the overall composition and values.

color palette

primary · burnt sienna · raw umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve the various brick tones by mixing burnt sienna with raw umber and small amounts of cadmium red. Create the off-white tones for the laundry by mixing titanium white with small amounts of raw umber or yellow ochre.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to simplify the complex scene into basic shapes.
  • →Getting the values wrong, which can flatten the image.
  • →Using too much detail and losing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·assorted bristle brushes (flat and round)
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a textured canvas to enhance the impasto effect. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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