apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Second Allegory
Second Allegory by Ben Shahn

plate no. 4202

Second Allegory

Ben Shahn, 1953

oilExpressionismallegorical paintingfigurehandsgeometric shapesskyabstractallegory
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating textures with brushstrokes, and composing an image with both representational and abstract elements. It also encourages expressive mark-making and simplification of form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition lightly, focusing on the placement of the figure and geometric shapes.

  2. step 02

    Apply a thin wash of orange and red tones to the background, allowing for variations in color and texture.

  3. step 03

    Block in the dark areas of the figure with black paint, using loose brushstrokes.

  4. step 04

    Add the lighter tones of the figure's face and hands, blending the edges slightly.

  5. step 05

    Paint the geometric shapes in red, using a fine brush for precise lines.

  6. step 06

    Add the white line details using a thin brush or paint marker, following the original's expressive style.

  7. step 07

    Refine the background colors and textures, adding subtle variations and highlights.

  8. step 08

    Add final details and adjust values as needed to create a cohesive image.

color palette

primary · burnt orange · cadmium red · black · titanium white

secondary · ultramarine blue · yellow ochre

Mix burnt orange and cadmium red for the background. Use white to lighten the figure's skin tones. Mix ultramarine blue and yellow ochre for the cooler tones in the background.

techniques

  • ·dry brushing
  • ·layering
  • ·expressive linework
  • ·color blending
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality of the original.
  • →Creating too much contrast and losing the subtle color variations.
  • →Making the linework too precise and losing the spontaneity.
  • →Not allowing the underpainting to show through, which adds depth and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·retarder medium
  • ·varnish

Use a medium-grain canvas to allow for texture. Acrylics are more beginner-friendly, while oils offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor