
plate no. 3388
Elizabeth Coffin, 1887
Recreating this painting will help students understand how to depict light and shadow in a dimly lit interior and how to create realistic skin tones using a limited palette. It also provides practice in capturing the likeness of a person in a seated pose.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and major elements.
Establish the overall value structure with a thin wash of burnt umber or a similar neutral color.
Block in the main areas of color, such as the figure's clothing, the chair, and the background.
Refine the figure's features, paying close attention to the light and shadow on the face.
Develop the details of the knitting and other objects in the scene.
Adjust the values and colors to create a sense of depth and atmosphere.
Add highlights and final details to bring the painting to life.
Glaze with thin layers of color to unify the painting and create subtle variations in tone.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · burnt sienna · cadmium red light
Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre and burnt sienna to create warm skin tones. Add small amounts of cadmium red light for subtle highlights on the face and hands.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress