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home·artworks·The White House
The White House by Alfred Kubin

plate no. 8771

The White House

Alfred Kubin, 1906

oilExpressionismlandscapehouserivertreeslandscapebuildingssky
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and using a limited palette to create a cohesive mood. It also provides practice in rendering simple architectural forms and reflections in water.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, river, and trees, paying attention to their relative sizes and positions.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with diluted paint.

  3. step 03

    Begin refining the sky and background, blending colors to create a sense of atmosphere.

  4. step 04

    Paint the buildings, focusing on capturing their simple forms and the subtle variations in tone.

  5. step 05

    Add the details of the river, including reflections and the texture of the water's surface.

  6. step 06

    Paint the foreground elements, such as the vegetation and the riverbank, using loose brushstrokes.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Add final touches and adjust the overall composition as needed.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · payne's gray · cadmium red light

Mix white with raw umber and a touch of burnt sienna to create the various shades of gray and brown. Use Payne's gray to darken the shadows and create atmospheric effects. A touch of cadmium red light can be added to create the roof color and some subtle warmth in the landscape.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating too much contrast and flattening the image.
  • →Failing to establish a clear value structure early on.
  • →Using colors that are too saturated and clashing with the overall mood.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·cadmium red light oil paint
  • ·#6 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

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