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home·artworks·The Walchensee on Saint John's Eve
The Walchensee on Saint John's Eve by Lovis Corinth

plate no. 3940

The Walchensee on Saint John's Eve

Lovis Corinth, 1920

oilExpressionismlandscapelakemountainscloudstreesbuildingssky
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing atmospheric perspective with color and value. It also provides practice in simplifying complex landscapes into basic shapes and forms.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the mountains, lake, and foreground.

  2. step 02

    Block in the sky with broad strokes of blue, white, and hints of pink and orange, capturing the cloud formations.

  3. step 03

    Establish the dark mass of the mountains in the background, using a mix of blues, purples, and blacks.

  4. step 04

    Paint the lake with horizontal strokes of white, gray, and blue, reflecting the sky and mountains.

  5. step 05

    Define the foreground with greens and browns, using expressive brushstrokes to create texture and form.

  6. step 06

    Add details to the buildings and trees, using darker values to create contrast and depth.

  7. step 07

    Refine the highlights and shadows throughout the painting, paying attention to the direction of light.

  8. step 08

    Add final touches and details to enhance the overall mood and atmosphere.

color palette

primary · ultramarine blue · titanium white · viridian green

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix blues and whites for the sky and lake, adding small amounts of red or yellow to create subtle variations. Use greens and browns for the foreground, mixing in blues and yellows to create depth and shadow.

techniques

  • ·expressive brushwork
  • ·alla prima (wet-on-wet)
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a clear value structure.
  • →Getting bogged down in details too early.
  • →Not capturing the atmospheric perspective effectively.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use good quality oil paints for best results. Experiment with different brush sizes and shapes to achieve the desired brushstrokes.

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