apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The tree on Adriatic Coast and Velebit Mnt. (24th July 2014)
The tree on Adriatic Coast and Velebit Mnt. (24th July 2014) by Alfred Freddy Krupa

plate no. 4214

The tree on Adriatic Coast and Velebit Mnt. (24th July 2014)

Alfred Freddy Krupa, 2014

watercolorContemporary Realismmarinatreeseaskylandscapecoastmountains
some experience helpful

Recreating this painting will help students develop skills in layering transparent washes and creating soft edges with watercolor. It also provides practice in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the tree, coastline, and horizon line.

  2. step 02

    Apply a light wash of diluted blue and pink for the sky, allowing colors to blend.

  3. step 03

    Paint the sea with a similar light blue wash, varying the intensity for depth.

  4. step 04

    Add a light brown wash to the tree trunk and branches.

  5. step 05

    Begin building up the coastline with layers of brown, green, and blue washes, creating texture with varied brushstrokes.

  6. step 06

    Add darker accents to the tree and coastline to define shadows and details.

  7. step 07

    Use a damp brush to lift color and create soft edges in the sky and sea.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · cerulean blue · rose madder · burnt umber

secondary · sap green · yellow ochre · ultramarine blue

Mix blues and pinks for the sky and sea. Use diluted washes of burnt umber for the tree and coastline. Mix greens and browns for the foliage.

techniques

  • ·wet-on-wet blending
  • ·layering washes
  • ·lifting color
  • ·dry brush texture
  • ·glazing

common pitfalls

  • →Overworking the washes and losing transparency.
  • →Using too much water and creating blooms.
  • →Making the colors too saturated.
  • →Not allowing layers to dry completely before adding more.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 4, 8)
  • ·flat brush (size 1/2 inch)
  • ·water container
  • ·palette
  • ·paper towels

optional

  • ·masking fluid
  • ·palette knife
  • ·spray bottle
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Morning fresh snow: chestnuts (en plein air)

Morning fresh snow: chestnuts (en plein air)

Alfred Freddy Krupa

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller