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home·artworks·Morning fresh snow: chestnuts (en plein air)
Morning fresh snow: chestnuts (en plein air) by Alfred Freddy Krupa

plate no. 5059

Morning fresh snow: chestnuts (en plein air)

Alfred Freddy Krupa, 2015

watercolorPost-Impressionismlandscapetreessnowlandscapeforestwinter
suitable for beginners

Recreating this painting will help students practice watercolor washes and layering techniques to create a sense of depth and atmosphere. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
2
compositional simplicity
4

study guide

est. 4 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the trees and the horizon line.

  2. step 02

    Apply a very diluted wash of light blue and pink across the entire paper to create the background atmosphere.

  3. step 03

    While the background is still damp, add slightly darker washes of blue and green to define the tree trunks and branches.

  4. step 04

    Use a slightly drier brush to add texture to the tree trunks, suggesting bark and shadows.

  5. step 05

    Add subtle shadows on the snow using light blue and purple washes.

  6. step 06

    Soften the edges of the trees and shadows with a clean, damp brush to create a hazy effect.

  7. step 07

    Add final details to the branches and tree trunks with a fine brush.

  8. step 08

    Allow to dry completely.

color palette

primary · cerulean blue · ultramarine blue · titanium white (for mixing)

secondary · alizarin crimson · sap green · raw umber

Mix blues with a touch of crimson to create the purplish shadows. Use white to lighten the blues for the sky and snow. Mix green with umber to create muted greens for the trees.

techniques

  • ·wet-on-wet blending
  • ·watercolor washes
  • ·dry brush texture
  • ·lifting color

common pitfalls

  • →Overworking the washes, which can lead to a muddy effect.
  • →Using too much paint, which can make the painting look heavy.
  • →Not allowing the layers to dry completely before adding more paint.
  • →Making the tree trunks too uniform in color and shape.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·round watercolor brushes (sizes #2, #6, #10)
  • ·watercolor paints (cerulean blue, ultramarine blue, alizarin crimson, sap green, raw umber)
  • ·palette
  • ·water container
  • ·paper towels
  • ·masking tape

optional

  • ·palette knife
  • ·spray bottle
  • ·lifting preparation

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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