apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The street
The street by Martiros Sarian

plate no. 2042

The street

Martiros Sarian, 1929

oil, canvasExpressionismgenre paintingstreet scenefiguresanimalsarchitecturemarkettrees
some experience helpful

This painting offers practice in capturing figures in motion and creating a sense of depth using color and simplified forms. Students will learn to mix warm and cool tones to create a vibrant, sun-drenched atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures, buildings, and animals.

  2. step 02

    Block in the large areas of color, starting with the background and working towards the foreground.

  3. step 03

    Establish the main light source and shadows, using a limited palette of warm and cool colors.

  4. step 04

    Add details to the figures and animals, simplifying forms and focusing on essential shapes.

  5. step 05

    Refine the brushwork, using short, expressive strokes to create texture and movement.

  6. step 06

    Mix and apply the colors for the figures' clothing, paying attention to the folds and shadows.

  7. step 07

    Add the details of the architecture, simplifying the forms and using color to create depth.

  8. step 08

    Make final adjustments to the composition, focusing on balance and harmony.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · sap green · titanium white

Mix yellow ochre and burnt sienna for the warm tones of the buildings and ground. Use ultramarine blue and burnt sienna to create the darker tones for shadows and details. Add white to lighten colors and create variations in value.

techniques

  • ·broken color
  • ·scumbling
  • ·simplified forms
  • ·expressive brushwork
  • ·color temperature

common pitfalls

  • →Overworking the details
  • →Using too many colors
  • →Losing the sense of light and shadow
  • →Ignoring the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·photo reference

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor