
plate no. 0715
Nikolaos Lytras, 1925
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also provides practice in simplifying a background into abstract shapes and colors.
technical profile
approach — 8 steps
Sketch the basic shapes: the figure, hat, and background elements.
Block in the large areas of color: the yellow field, the white wall, and the blue-gray shirt.
Start defining the facial features, paying attention to the light and shadow.
Add details to the hat, using short, directional brushstrokes.
Refine the background, adding texture and variation to the yellow field.
Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.
Add final details and highlights to the face and clothing.
Allow to dry and varnish if desired.
color palette
primary · yellow ochre · titanium white · raw umber · ultramarine blue
secondary · burnt sienna · cadmium yellow light · ivory black
Mix skin tones using white, raw umber, burnt sienna, and a touch of blue. Achieve the yellow field by mixing yellow ochre with white and a touch of cadmium yellow light.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor