apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Strand by Night
The Strand by Night by C. R. W. Nevinson

plate no. 2918

The Strand by Night

C. R. W. Nevinson, 1937

oilExpressionismcityscapecityscapestreetbuildingspeoplebusesrain
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, capturing the effect of light and reflections on a wet surface, and simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, street, and buses, focusing on perspective.

  2. step 02

    Establish the overall color scheme with a thin wash of dark red/purple for the sky and darker tones for the buildings on either side.

  3. step 03

    Block in the general shapes of the buildings in the background with lighter tones, suggesting light sources.

  4. step 04

    Add the red buses using a slightly brighter red, and indicate the figures with dark, simplified shapes and umbrellas.

  5. step 05

    Focus on the reflections on the wet street, using horizontal strokes and lighter values to create the illusion of shimmering light.

  6. step 06

    Refine the details of the buildings and buses, adding windows and architectural elements with subtle variations in tone.

  7. step 07

    Add highlights to the wet surfaces and the edges of the buildings to enhance the sense of light and atmosphere.

  8. step 08

    Review and adjust the values and colors to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Achieve the atmospheric tones by mixing burnt umber with white and small amounts of red and blue. Use yellow ochre to create the warm glow of the streetlights.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the atmospheric effect.
  • →Failing to establish a strong value structure.
  • →Making the reflections too uniform and unnatural.
  • →Not simplifying the figures and buses enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for texture. Consider using a toned canvas (e.g., with a thin wash of burnt umber) to establish a base tone.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor