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home·artworks·The sisters of Stapi
The sisters of Stapi by Johannes Sveinsson Kjarval

plate no. 5355

The sisters of Stapi

Johannes Sveinsson Kjarval, 1948

oilExpressionismmythological paintingfiguresfacesmythologicallandscapewatersky
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create mood and texture. It also encourages exploration of non-realistic color palettes and stylized representation.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figures and landscape elements.

  2. step 02

    Block in the background sky and water with thin washes of color, focusing on the overall tone.

  3. step 03

    Start layering the figures' faces and hair, building up the dark and light areas with short, expressive brushstrokes.

  4. step 04

    Add the clothing and body shapes, using a mix of warm and cool colors to create depth and form.

  5. step 05

    Define the details of the faces, paying attention to the eyes, nose, and mouth.

  6. step 06

    Refine the landscape elements, adding texture and detail to the water and sky.

  7. step 07

    Add final highlights and shadows to enhance the overall contrast and create a sense of depth.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or brushwork.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · ivory black

Mix ultramarine with burnt umber and white to create the various shades of gray and blue for the faces. Use yellow ochre and burnt umber for the warmer tones in the clothing and hair. White is used to lighten and create highlights.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·expressive brushstrokes
  • ·color layering
  • ·impasto

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Losing the expressive quality of the brushstrokes.
  • →Not establishing a clear focal point.
  • →Ignoring the overall tonal balance of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette knife
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a canvas with a medium texture to enhance the brushstrokes. Acrylics are more beginner-friendly, while oils allow for more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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