apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Sick Child
The Sick Child by Edvard Munch

plate no. 0238

The Sick Child

Edvard Munch, 1886

oilExpressionismgenre paintingfigureinteriorsicknessemotionbedsidechair
experienced study

Students would develop emotional expression through color and bold brushwork, learning to convey psychological states through loose, expressive painting techniques rather than precise detail.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a loose charcoal sketch establishing the basic composition and figure placement

  2. step 02

    Block in the major color areas with thin washes - greens for the background, warm flesh tones for the figure

  3. step 03

    Build up the background with vertical brushstrokes in various green and blue-green mixtures

  4. step 04

    Work on the figure's face and hair using warm oranges and flesh tones with visible brushwork

  5. step 05

    Add the dark clothing and chair with bold, confident strokes

  6. step 06

    Layer additional paint using expressive, loose brushwork throughout

  7. step 07

    Refine emotional expression in the face while maintaining painterly quality

  8. step 08

    Add final accents and adjust color relationships for emotional impact

color palette

primary · viridian green · cadmium orange · burnt sienna · titanium white

secondary · prussian blue · raw umber · cadmium red light · yellow ochre

Mix various green tones with white and blue for background atmosphere, blend warm oranges with white and yellow for flesh tones, use complementary orange-green relationships for emotional tension

techniques

  • ·expressive brushwork
  • ·color mixing for emotion
  • ·loose figural painting
  • ·atmospheric background
  • ·impasto application

common pitfalls

  • →overworking details and losing expressiveness
  • →making brushstrokes too tight or controlled
  • →using too many pure colors without mixing
  • →focusing on likeness over emotional expression

materials

surface · primed canvas or canvas board, medium to coarse texture

required

  • ·oil paints in listed colors
  • ·#6 and #10 flat brushes
  • ·#4 filbert brush
  • ·palette knife
  • ·canvas 18x24 or larger
  • ·turpentine
  • ·linseed oil
  • ·palette paper

optional

  • ·#2 round detail brush
  • ·painting medium
  • ·easel
  • ·palette cups

This expressionist work requires confidence with loose brushwork - practice bold strokes on scrap canvas first

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor