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The Shepherdess by Vela Zanetti

plate no. 4814

The Shepherdess

Vela Zanetti, 1975

oilExpressionismportraitportraitfiguregoatshawlclothinganimal
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and expression, and in rendering textures using visible brushstrokes. It also provides practice in creating a warm, limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, goat, and background.

  2. step 02

    Establish the overall warm tone of the background with a thin wash.

  3. step 03

    Block in the main areas of color for the figure and goat, focusing on shadows and highlights.

  4. step 04

    Begin building up layers of color, using visible brushstrokes to define form and texture.

  5. step 05

    Pay close attention to the details of the face, capturing the expression and likeness.

  6. step 06

    Add details to the shawl and clothing, using a variety of brushstrokes to create texture.

  7. step 07

    Refine the details of the goat, paying attention to the fur and facial features.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white

Achieve the warm tones by mixing burnt umber and raw sienna. Use ivory black sparingly to create shadows. Lighten colors with titanium white and small amounts of yellow ochre for highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·portraiture
  • ·limited palette

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much black, which can make the painting look muddy.
  • →Failing to capture the likeness of the figure.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Using a toned canvas can help to establish the warm undertones of the painting. Consider using a medium to thin the paint for easier blending.

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