
plate no. 4180
Elmer Bischoff, 1953
This painting is great for practicing simplified shapes and color blocking. Students can learn to suggest form and depth with minimal detail and expressive brushstrokes.
technical profile
approach — 8 steps
Sketch the basic shapes of the river, trees, and background foliage using light pencil lines.
Block in the large areas of color: white for the river, dark green for the trees, and lighter greens for the background.
Add darker values to the rocks in the river and the shadows in the trees to create depth.
Introduce secondary colors to the foliage to add visual interest and variation.
Use short, directional brushstrokes to suggest the movement of the water in the river.
Refine the edges of the shapes, softening some and leaving others sharp for contrast.
Add final details, such as the small branches and highlights on the water.
Step back and adjust the overall composition and color balance as needed.
color palette
primary · titanium white · viridian green · burnt umber
secondary · yellow ochre · cadmium yellow · ultramarine blue
Mix greens by combining viridian with yellow ochre or cadmium yellow. Use burnt umber to darken the greens and create shadows. Add small amounts of ultramarine blue to the white for the cooler tones in the river.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Acrylics will dry faster, while oils allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor