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home·artworks·The River
The River by Elmer Bischoff

plate no. 4180

The River

Elmer Bischoff, 1953

oilExpressionismlandscaperivertreeslandscaperocksforestfoliage
some experience helpful

This painting is great for practicing simplified shapes and color blocking. Students can learn to suggest form and depth with minimal detail and expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the river, trees, and background foliage using light pencil lines.

  2. step 02

    Block in the large areas of color: white for the river, dark green for the trees, and lighter greens for the background.

  3. step 03

    Add darker values to the rocks in the river and the shadows in the trees to create depth.

  4. step 04

    Introduce secondary colors to the foliage to add visual interest and variation.

  5. step 05

    Use short, directional brushstrokes to suggest the movement of the water in the river.

  6. step 06

    Refine the edges of the shapes, softening some and leaving others sharp for contrast.

  7. step 07

    Add final details, such as the small branches and highlights on the water.

  8. step 08

    Step back and adjust the overall composition and color balance as needed.

color palette

primary · titanium white · viridian green · burnt umber

secondary · yellow ochre · cadmium yellow · ultramarine blue

Mix greens by combining viridian with yellow ochre or cadmium yellow. Use burnt umber to darken the greens and create shadows. Add small amounts of ultramarine blue to the white for the cooler tones in the river.

techniques

  • ·color blocking
  • ·expressive brushstrokes
  • ·simplified shapes
  • ·wet-on-dry layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the simplicity of the original.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Making the brushstrokes too uniform and losing the sense of movement.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·acrylic or oil paints
  • ·round brushes (sizes 4, 8)
  • ·flat brushes (sizes 6, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (for cleaning brushes)

optional

  • ·easel
  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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