apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Right Honourable Michael Foot, MP
The Right Honourable Michael Foot, MP by John Bratby

plate no. 0887

The Right Honourable Michael Foot, MP

John Bratby

oilExpressionismportraitportraitfiguremanglassesclothingface
experienced study

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create form. It also provides practice in capturing a likeness through abstract application of color.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and facial features.

  2. step 02

    Block in the main areas of color, using broad strokes to establish the overall composition.

  3. step 03

    Begin layering colors, focusing on capturing the variations in tone and hue within each area.

  4. step 04

    Use thick, expressive brushstrokes to define the forms and create texture.

  5. step 05

    Pay close attention to the way light and shadow interact on the face and clothing.

  6. step 06

    Refine the details of the facial features, such as the eyes, nose, and mouth.

  7. step 07

    Add final touches and highlights to enhance the overall effect.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition or color balance.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · cadmium red · viridian green · raw umber

Achieve skin tones by mixing yellow ochre, burnt sienna, and white, adding small amounts of red or blue to adjust the hue. Mix greens by combining ultramarine blue and yellow ochre, adjusting the ratio for different shades.

techniques

  • ·impasto
  • ·broken color
  • ·expressive brushwork
  • ·color layering
  • ·scumbling

common pitfalls

  • →Over-blending the colors, which can result in a muddy or lifeless effect.
  • →Focusing too much on detail in the early stages, which can hinder the development of the overall composition.
  • →Neglecting the importance of value contrast, which can flatten the image.
  • →Being afraid to use bold, expressive brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·apron

Use high-quality oil paints for best results. Consider using a medium to speed up drying time and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor