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home·artworks·The Resurrection, right hand predella panel from the Altarpiece of St. Zeno of Verona
The Resurrection, right hand predella panel from the Altarpiece of St. Zeno of Verona by Andrea Mantegna

plate no. 5918

The Resurrection, right hand predella panel from the Altarpiece of St. Zeno of Verona

Andrea Mantegna, 1459

oil, panelEarly Renaissancereligious paintingfigurelandscaperocksoldiersreligioussky
experienced study

Recreating this painting will help students develop skills in figure drawing, foreshortening, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering drapery and textures of stone and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of the figures and the main elements of the landscape.

  2. step 02

    Establish the horizon line and the basic shapes of the rock formation and the tomb.

  3. step 03

    Block in the main colors of the sky, landscape, and figures, paying attention to the overall color harmony.

  4. step 04

    Start refining the details of the figures, focusing on accurate proportions and anatomical details.

  5. step 05

    Add the drapery folds and shadows to create a sense of volume and depth.

  6. step 06

    Work on the details of the rock formation, using different shades of brown and gray to create texture and depth.

  7. step 07

    Add the foliage and other details to the landscape, paying attention to the atmospheric perspective.

  8. step 08

    Finally, add the highlights and details to the figures and the landscape to create a sense of realism.

color palette

primary · ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · yellow ochre · ivory black

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use glazes of thinned color to build up depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Incorrect proportions in the figures.
  • →Overly bright or saturated colors.
  • →Lack of depth in the landscape.
  • →Ignoring the atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ochre, burnt umber, ultramarine blue, titanium white, cadmium red, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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