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home·artworks·The Red Tower in Halle
The Red Tower in Halle by Ernst Ludwig Kirchner

plate no. 0246

The Red Tower in Halle

Ernst Ludwig Kirchner, 1915

oil, canvasExpressionismcityscapecityscapebuildingstowerstreetskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms and using expressive brushstrokes to convey mood and atmosphere. It also provides practice in color mixing to achieve specific tonal values and create a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the large areas of color: sky, buildings, and street, using diluted paint.

  3. step 03

    Define the shapes of the buildings with darker values, paying attention to the architectural details.

  4. step 04

    Add the orange/red road, focusing on its perspective and how it curves around the buildings.

  5. step 05

    Refine the details of the tower, including the windows and architectural elements.

  6. step 06

    Develop the sky with soft, blended strokes to create a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Review and adjust the overall composition, paying attention to color harmony and balance.

color palette

primary · Prussian blue · Titanium White · Cadmium Orange · Burnt Umber

secondary · Cadmium Yellow · Alizarin Crimson

Mix various shades of gray by combining Prussian blue, Burnt Umber and Titanium White. Achieve the orange tones by mixing Cadmium Orange with touches of Cadmium Yellow and Alizarin Crimson.

techniques

  • ·Blocking in
  • ·Dry brushing
  • ·Color mixing
  • ·Simplifying forms
  • ·Expressive brushstrokes

common pitfalls

  • →Overcomplicating the architectural details.
  • →Using too much detail in the initial sketch.
  • →Not paying attention to the perspective of the street and buildings.
  • →Creating muddy colors by overmixing.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (Prussian blue, Titanium White, Cadmium Orange, Burnt Umber)
  • ·Round brush (#4)
  • ·Flat brush (#8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Medium gloss
  • ·Easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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