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home·artworks·The Red Shawl
The Red Shawl by Iosif Iser

plate no. 5766

The Red Shawl

Iosif Iser

oilExpressionismportraitportraitfigureshawlredwomanheadscarf
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create form and mood. It also provides practice in portraiture and capturing the essence of a subject with simplified forms.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and the red shawl.

  2. step 02

    Block in the main areas of color with thin washes, establishing the overall value structure.

  3. step 03

    Begin building up thicker layers of paint, using bold brushstrokes to define the forms and create texture.

  4. step 04

    Focus on capturing the light and shadow on the face and shawl, using variations in color and value.

  5. step 05

    Develop the background with expressive brushstrokes, creating a sense of depth and atmosphere.

  6. step 06

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to the shawl to enhance its dimensionality.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to balance the colors and values.

color palette

primary · cadmium red · yellow ochre · ivory black

secondary · titanium white · ultramarine blue · burnt umber

Mix various shades of red by combining cadmium red with burnt umber and ivory black. Achieve skin tones by mixing yellow ochre, titanium white, and small amounts of red and blue.

techniques

  • ·impasto
  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·color temperature

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to establish a strong value structure, resulting in a flat and lifeless painting.
  • →Using colors straight from the tube without mixing them, leading to a lack of harmony.
  • →Ignoring the importance of edges and allowing them to become too hard or too soft.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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