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home·artworks·The Prophet (self Portrait)
The Prophet (self Portrait) by Mahmoud Saiid

plate no. 1716

The Prophet (self Portrait)

Mahmoud Saiid

oilExpressionismself-portraitportraitfigurecityscapebuildingsmountainsbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as creating depth through atmospheric perspective in the background cityscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes of the figure, buildings, and mountains.

  2. step 02

    Block in the main color areas for the figure's skin, clothing, and hair using thin washes.

  3. step 03

    Establish the background sky and mountains with broad strokes, focusing on the overall color harmony.

  4. step 04

    Begin adding details to the buildings, paying attention to perspective and light/shadow patterns.

  5. step 05

    Refine the figure's features, gradually building up layers of color to create form and volume.

  6. step 06

    Add details to the clothing, including the buttons and subtle folds.

  7. step 07

    Work on the beard and hair, using short, directional strokes to create texture.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre

Mix various shades of brown and beige by combining burnt umber, raw sienna, and titanium white. Use ultramarine blue to cool down the browns and create shadows. Add yellow ochre to create warmer highlights.

techniques

  • ·portrait painting
  • ·atmospheric perspective
  • ·color mixing
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details in the background.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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