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home·artworks·The port of Ostend
The port of Ostend by Gustave de Smet

plate no. 0478

The port of Ostend

Gustave de Smet, 1922

oilExpressionismcityscapebuildingsboatswaterskycityscapeharbor
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive and expressive artwork. It also provides practice in layering and blending colors to achieve subtle variations in tone and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, boats, and horizon line using light pencil strokes.

  2. step 02

    Block in the large areas of color, starting with the sky and water.

  3. step 03

    Add the darker tones to define the buildings and boats, paying attention to the light source.

  4. step 04

    Begin layering colors to create depth and dimension in the buildings and water.

  5. step 05

    Refine the details of the boats and buildings, adding windows, masts, and other features.

  6. step 06

    Use dry brush techniques to add texture to the water and buildings.

  7. step 07

    Add highlights to the water and buildings to create a sense of light and atmosphere.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green · ultramarine blue

Mix yellow ochre and burnt umber for the dominant warm tones. Use white to lighten these colors and blue/green to create cooler shadows. A touch of red can be added to the sky for warmth.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too many colors and creating a muddy or chaotic composition.
  • →Failing to establish a clear light source and creating flat, lifeless forms.
  • →Not simplifying the shapes enough and getting bogged down in unnecessary details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushwork. Acrylics are a good choice for beginners due to their fast drying time.

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oil painting for beginners →how to learn by studying the masters →
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