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home·artworks·The Pianist (Vere Bosman Di Ravelli)
The Pianist (Vere Bosman Di Ravelli) by Maggie Laubser

plate no. 1357

The Pianist (Vere Bosman Di Ravelli)

Maggie Laubser

oilExpressionismportraitportraitfiguremanclothinghatscarf
some experience helpful

Recreating this painting will help students develop skills in color mixing, particularly for skin tones and shadows, and understanding how to use visible brushstrokes to create form and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the main color areas with thin washes, focusing on the overall composition.

  3. step 03

    Start building up the skin tones, using a variety of colors to create depth and dimension.

  4. step 04

    Define the features of the face, paying attention to the light and shadow.

  5. step 05

    Paint the clothing and background, using visible brushstrokes to create texture.

  6. step 06

    Add details such as the hat and scarf, refining the shapes and colors.

  7. step 07

    Adjust the values and colors as needed to create a cohesive and expressive portrait.

  8. step 08

    Add final highlights and shadows to enhance the form.

color palette

primary · cerulean blue · burnt sienna · yellow ochre

secondary · cadmium red · viridian green · raw umber

Mix skin tones using yellow ochre, burnt sienna, and white, with touches of red and blue for shadows. Achieve the blue of the jacket by mixing cerulean blue with white and a touch of black. Create the scarf color by mixing cadmium red with a touch of yellow and white.

techniques

  • ·color mixing
  • ·blocking in
  • ·visible brushstrokes
  • ·scumbling
  • ·layering

common pitfalls

  • →Over-blending colors, resulting in a muddy appearance.
  • →Ignoring the underlying structure of the face.
  • →Using too much detail too early in the process.
  • →Not paying attention to the light and shadow.
  • →Getting proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·apron

Use a medium-grain canvas for best results. Acrylics are more beginner-friendly, while oils offer richer colors and blending capabilities.

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related guides

oil painting for beginners →how to learn by studying the masters →
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