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home·artworks·The Old Harbour
The Old Harbour by C. R. W. Nevinson

plate no. 1850

The Old Harbour

C. R. W. Nevinson

oilExpressionismcityscapeharborboatsbuildingsseafiguresrooftops
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive atmosphere. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, boats, and harbor, focusing on the overall composition.

  2. step 02

    Block in the large areas of color for the sky, sea, and buildings using diluted washes.

  3. step 03

    Begin adding details to the buildings, such as the stone textures and roof tiles, using short, broken brushstrokes.

  4. step 04

    Paint the boats and their reflections in the water, paying attention to the perspective and scale.

  5. step 05

    Add the figures and other small details to bring the scene to life.

  6. step 06

    Refine the colors and values, adjusting the contrast and adding highlights and shadows.

  7. step 07

    Add final details with dry brush strokes to enhance texture.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · burnt sienna · cadmium red light · yellow ochre

Mix various shades of blue and white for the sea and sky. Use raw umber and white for the stone buildings, adding touches of burnt sienna for warmth. Mix red and umber for the rooftops.

techniques

  • ·dry brushing
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Failing to establish a strong sense of perspective and depth.
  • →Not simplifying the complex forms of the buildings and boats.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brushes (sizes 4, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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