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The novelist by Frantisek Kupka

plate no. 2624

The novelist

Frantisek Kupka, 1903

ink, watercolor, paperExpressionismgenre paintingfigureinteriorlamptabledreamswriting
experienced study

Recreating this painting will help students develop skills in layering washes, creating dynamic compositions, and using color to convey mood and symbolism. It also encourages experimentation with expressive line work and abstracting figures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the figure, table, lamp, and general placement of the dreamlike figures.

  2. step 02

    Apply a light wash of yellow and ochre to the areas around the lamp and the dream figures, creating a warm glow.

  3. step 03

    Use diluted blues and purples to create the darker areas in the upper portion of the painting, blending them into the yellow.

  4. step 04

    Add details to the figure and table using darker browns and blacks, focusing on defining the shapes and shadows.

  5. step 05

    Introduce the dream figures with light washes of blue, pink, and white, allowing them to blend and fade into the background.

  6. step 06

    Refine the details of the lamp and the surrounding area, adding highlights and shadows to create depth.

  7. step 07

    Add expressive line work with ink to define the edges of the figures and objects, enhancing the overall dynamism.

  8. step 08

    Adjust the values and colors as needed to achieve the desired mood and atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · pink · white · black

Mix ochre with a touch of burnt umber for the table. Create the blue tones by diluting ultramarine with water. Use white to lighten the pinks and blues for the dream figures.

techniques

  • ·watercolor washes
  • ·ink line work
  • ·dry brushing
  • ·layering
  • ·glazing

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Creating too much detail too early in the process.
  • →Failing to establish a clear focal point.
  • →Not allowing the washes to dry completely before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints (yellow ochre, ultramarine blue, burnt umber, pink, white, black)
  • ·round watercolor brushes (various sizes)
  • ·black ink
  • ·fine-tipped ink pen
  • ·water container
  • ·palette
  • ·paper towels

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling and ensure smooth washes. Experiment with different types of ink pens to achieve varying line weights and textures.

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related guides

watercolor techniques →how to draw →how to learn by studying the masters →
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