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home·artworks·The Neck of a Little Girl
The Neck of a Little Girl by Helene Schjerfbeck

plate no. 2692

The Neck of a Little Girl

Helene Schjerfbeck

oilExpressionismgenre paintingfigurewindowinteriorchildcurtainbuildings
some experience helpful

Recreating this painting will help students develop skills in soft blending, color mixing to achieve subtle variations, and capturing light and shadow in a muted palette. It also provides practice in simplifying forms and focusing on the overall impression rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the figure, the window frame, the curtain, and the background buildings.

  2. step 02

    Block in the large areas of color, starting with the background and the curtain. Use thin washes of color.

  3. step 03

    Establish the basic skin tones of the figure, focusing on the light and shadow areas.

  4. step 04

    Add the details of the window frame and the background buildings, keeping the edges soft and blurred.

  5. step 05

    Refine the details of the figure, paying attention to the subtle variations in skin tone and the folds in the clothing.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Soften edges and blend colors as needed to create a harmonious overall effect.

  8. step 08

    Add final touches and details.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · raw umber · cadmium yellow light · alizarin crimson

Achieve the muted tones by mixing white with small amounts of the other colors. Use ultramarine blue and raw umber to create grays and neutrals. Add small amounts of yellow ochre or cadmium yellow light to warm up the colors.

techniques

  • ·soft blending
  • ·color layering
  • ·scumbling
  • ·limited palette
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Using colors that are too bright or saturated
  • →Creating harsh edges
  • →Losing the overall sense of light and atmosphere

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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