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home·artworks·The Meeting at the Pharmacy
The Meeting at the Pharmacy by Jose Gutierrez Solana

plate no. 0753

The Meeting at the Pharmacy

Jose Gutierrez Solana, 1934

oilExpressionismgenre paintingfiguresmendognewspapersbuildingurban scene
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a group setting and understanding how to create a sense of depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the dog.

  2. step 02

    Block in the main shapes and colors of the background and the figures' clothing using thin washes.

  3. step 03

    Start building up the values and details of each figure, paying attention to the light and shadow.

  4. step 04

    Add details like the newspapers, faces, and the dog's features.

  5. step 05

    Refine the background, adding subtle variations in color and texture.

  6. step 06

    Work on the details of the clothing, such as folds and textures.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · olive green · yellow ochre · payne's gray

Achieve the muted tones by mixing the primary colors with each other and adding small amounts of white or black to adjust the value. Use olive green and yellow ochre sparingly to add subtle color variations.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·limited palette
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·olive green oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for the dry brushing and scumbling techniques. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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