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home·artworks·The Mask Maker
The Mask Maker by Vilmos Aba-Novak

plate no. 7222

The Mask Maker

Vilmos Aba-Novak, 1941

tempera, woodExpressionismgenre paintingfiguresmasksinteriorworkshoptableshelf
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a dimly lit interior and capturing the texture of various objects with expressive brushstrokes. It also encourages exploration of a limited color palette to create a cohesive atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions and composition.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thinned paint.

  3. step 03

    Begin refining the background and surrounding objects, paying attention to the relationships between objects.

  4. step 04

    Develop the figures, focusing on capturing the likeness and expression of the subjects.

  5. step 05

    Add details to the masks, using varied brushstrokes to create texture and form.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details and highlights to enhance the overall effect.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · raw umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve the muted tones by mixing raw umber and white, and use small amounts of cadmium red to create the red masks and accents. Use yellow ochre to warm up the neutral tones.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·chiaroscuro
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too many colors, resulting in a muddy or chaotic appearance.
  • →Ignoring the relationships between objects and figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas to enhance the texture of the painting. Consider using a fast-drying medium to speed up the drying time.

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