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home·artworks·The Making of a Fresco, Showing The Building of a City
The Making of a Fresco, Showing The Building of a City by Diego Rivera

plate no. 9625

The Making of a Fresco, Showing The Building of a City

Diego Rivera, 1931

frescoMuralismgenre paintingfiguresarchitectureindustrycityscapescaffoldingmural
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating a complex narrative composition. It also provides practice in rendering different textures and materials.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the overall composition, paying attention to the placement of the scaffolding and figures.

  2. step 02

    Block in the main shapes and colors of the background elements, such as the cityscape and sky.

  3. step 03

    Begin painting the large figure in the center, focusing on accurate proportions and shading.

  4. step 04

    Paint the figures on the scaffolding, paying attention to their poses and interactions.

  5. step 05

    Add details to the machinery and tools, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details, such as the faces of the figures and the patterns on their clothing.

  8. step 08

    Review the entire painting and make any necessary adjustments.

color palette

primary · ochre · ultramarine blue · raw umber · titanium white

secondary · burnt sienna · cadmium red light · ivory black

Mix ochre with white for lighter skin tones, and add small amounts of red or blue for variation. Use ultramarine blue and raw umber to create a range of grays for the architecture.

techniques

  • ·figure drawing
  • ·linear perspective
  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·scumbling

common pitfalls

  • →Incorrect proportions of figures
  • →Inaccurate perspective of the scaffolding
  • →Overly saturated colors
  • →Lack of depth and dimension
  • →Ignoring the interactions between figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·ruler
  • ·graphite pencils
  • ·kneaded eraser
  • ·varnish

Use a medium-grit canvas to allow for good paint adhesion. Consider using a toned ground to help establish the overall color palette.

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