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home·artworks·The Temptations of Saint Anthony
The Temptations of Saint Anthony by Diego Rivera

plate no. 6232

The Temptations of Saint Anthony

Diego Rivera, 1947

oil, canvasSurrealismallegorical paintingvegetablesrootsallegoryfiguresfoliagesurreal
experienced study

Recreating this painting will help students develop skills in color mixing to achieve subtle gradations and understanding complex compositions with multiple focal points. Students will also learn to create a sense of depth through layering and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the root vegetables, paying attention to their relative sizes and positions.

  2. step 02

    Establish the background color with a thin wash of browns and greens.

  3. step 03

    Begin layering in the darker values to define the forms of the vegetables and create shadows.

  4. step 04

    Gradually build up the mid-tones and highlights, blending colors to create smooth transitions.

  5. step 05

    Add details to the root vegetables, such as the small roots, leaves, and textures.

  6. step 06

    Refine the background, adding subtle variations in color and texture to create depth.

  7. step 07

    Pay attention to the lighting and shadows to create a sense of realism and drama.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired effect.

color palette

primary · red · brown · yellow · green

secondary · ochre · umber · cream

Achieve the root vegetable colors by mixing reds, browns, and yellows, adding white to create lighter shades. Use greens and browns for the foliage and background, mixing in yellows and ochres for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·color blending
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the colors and losing the subtle gradations.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of blending and creating smooth transitions.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red, brown, yellow, green, white, ochre, umber)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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