apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Day of the Dead
The Day of the Dead by Diego Rivera

plate no. 3393

The Day of the Dead

Diego Rivera, 1924

frescoMuralismgenre paintingfiguresskeletonscrowdmarketguitarsDay of the Dead
experienced study

Recreating this painting will help students develop skills in depicting large crowds and creating a sense of depth through layering and atmospheric perspective. It also provides practice in rendering figures with varied skin tones and clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the main figures and the horizon line.

  2. step 02

    Block in the large shapes and areas of color, starting with the background and working forward.

  3. step 03

    Begin to define the individual figures in the crowd, paying attention to their relative sizes and positions.

  4. step 04

    Add details to the skeletons and their instruments, using thin washes of color.

  5. step 05

    Refine the details of the foreground figures, including their clothing and facial features.

  6. step 06

    Adjust the values and colors to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the form of the figures and objects.

  8. step 08

    Glaze with thin layers to unify the colors and create a cohesive look.

color palette

primary · ochre · raw umber · ivory black · titanium white

secondary · cadmium yellow · burnt sienna · ultramarine blue

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors and create highlights. Add small amounts of blue to darken the shadows.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting lost in the details of the crowd and losing the overall composition.
  • →Using colors that are too bright or saturated, which can detract from the muted tones of the painting.
  • →Failing to create a sense of depth and atmosphere.
  • →Not capturing the unique character of each figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)
  • ·pencil

optional

  • ·medium gloss
  • ·retarder
  • ·easel

Use a canvas with a smooth surface for best results. Acrylic paints are easier to work with for beginners, but oil paints offer richer colors and a longer working time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Triumph of the Revolution

Triumph of the Revolution

Diego Rivera

The Farmers of the Coast

The Farmers of the Coast

Carlos Quizpez Asín

The Sower

The Sower

Vela Zanetti

Wheel

Wheel

Jose Clemente Orozco

The Temptations of Saint Anthony

The Temptations of Saint Anthony

Diego Rivera

House over the Bridge

House over the Bridge

Diego Rivera

The Elements

The Elements

David Alfaro Siqueiros

Vintage in Ribera del Duero

Vintage in Ribera del Duero

Vela Zanetti